I think that nonlinearity is critical in the study and practice of art; figuring out the relationship of one thing to another without falling on the prejudice of zero-sum duality. You can see that in Shock: and in The BLOODY-HANDED NAME of BRONZE as well as my music.Continue reading “3-Way Planar Potentiometer”
An analog communication protocol for safely, consensually receiving strangers’ modular synthesizer control voltage signals without a subsequent burning sensation when you oscillate.Continue reading “The S16 Analog Music Network”
Science fiction works in any art form. You look at what exists, then compare it to what’s possible-and-explorable, and experiment with it! That’s why Shock: includes music in its mediography section.
So I’ve been messing with synthesizers a lot lately. I’ve been making some really interestingly shrieky sounds and wanted to share with you the Brigand, a granular synthesizer I built a few weeks ago.
I’m putting an EP together that will be available to my patrons, but I really want to show off the machine, itself and what it sounds like!