Little Dog Grows Up

Friends, Wine, Food, and Games

I’m very excited to be able to announce that Lucca Comics and Games — the foremost Italian games and fantasy imagery show, bigger than Gen Con — and Janus Design — translators and publishers of the Italian editions of Fiasco, Don’t Rest Your Head, Polaris, and many others — have invited me to their big October convention to promote the Italian edition of Shock:!

Jason Morningstar and I will be presenting a conference together called, “Come fare un gioco di ruolo”, “Ways to make a roleplaying game”. Jason and I will have opposing teams. My team is orange.

I’m super fucking psyched. Not only do I get to finally meet the deeply excellent Janus Designs folks, but I get to go back to Lucca, where I used to go with my family when we lived there. And eat. I plan to eat many lunches.

Sloth break!

Meet the sloths from Amphibian Avenger on Vimeo.

We take a break from politics, science, design, science fiction, games, and publishing news to bring you these cute sloths.

Books and eBooks Are Not The Same

Aegir Hallmundur writes over at The Ministry of Type,

The whole idea of pages bound like that is an artifact of a particular printing technology — it’s the nature of the delivery medium, not the message. So when we have a digital book, we’re using technology that has its own set of conventions, its own restrictions and its own freedoms, and every bit of digital technology has some means of moving through any arbitrary content: a keyboard has cursor keys, page up and page down keys, a mouse has a scroll wheel, laptops have trackpads with scroll areas, and smartphones have touchscreens, joysticks or D-pads.

My concern with pageless eBooks has been that they eliminate two of the most important elements of design: the top and bottom of the rectangle that describes the page. All graphics, pull-quotes, and everything must be both inline and may only address the right and left margins.

But now I’m rethinking it. Pages are arbitrary breaks, dictated by the size of paper that’s convenient to print on. Without them, we have:

  • Right margin
  • Left margin
  • Right third
  • Left third
  • Paragraph top
  • Paragraph bottom

The big difference here is that the left and right margins are dictated by the medium, but the top and bottom are dictated by the context. That is very, very interesting to me. We’re also missing the top and bottom third now, unless paragraphs are meant to fit onscreen by themselves. This might be a problem, since we don’t know font size.

I also have some concerns that, with font size a variable, the column width is liable to get too great or small for easy legibility. Even newspapers and mass market paperbacks usually manage to keep it between 7 and 12 words (about 65 words per line, give or take a dozen or so), but the eBook readers I’ve looked at don’t care about that at all, which is a problem.

(Thanks to the glueyest of monotremes!)

The Cube

Jim Henson, in 1969, pre-muppets, wrote and directed this hour-long Twilight Zone-style movie, shown on NBC. It’s pretty wonderful. It’s not really kid-friendly, but only because of the themes of existential dread.

Stick around for the end, where there are three animated shorts from the animation festival circuit in the 80s, including Bambi vs. Godzilla!

Michaël Harboun’s Nanotech Appliances

It’s one thing to think about starships or artificial intelligence. It’s another to think about how we get along, doing normal stuff, like cooking.

Diaspora: a Free, Open-Source, Secure Social Network

Hey, you remember when I was talking about Google blowing it with Buzz and Facebook’s increasingly dubious privacy policy? And how I proposed a distributed, Open Source, encrypted option? And then Facebook got worse?

Four NYU students apparently took up my challenge (and didn’t credit me! The nerve!) and have started a project called Diaspora*. I’d give an overview, but, uh, I already did that in the other article. They’re making exactly what I was talking about. Expect me to have one of the very first accounts. And expect to get an invitation from me.

Square and the Future of Commerce

So, I wrote this science fiction story in 1994. I’m not going to post it because it wasn’t very good. But in it, the idea of “home” was more or less abolished for most people. Homelessness was de rigeur (they’re called “HoPers” in the euphemism of the day) because most of what people needed — their money, their entertainment, their work, their communication — was wholly mobile. Everyone else was just too poor to have a home (with some notable exceptions, like the biohackers who grew trees to live in). The protagonist, such as he was, wandered around the countryside of the US with this beat-up gadget in his pocket that connected him to other people. There’s a point in the story where someone pays him to hack a computer system and pays him by rubbing their gadgets together to transfer credit.

The gadget was the iPhone. Earlier smartphones (I’ve got a Treo) don’t really do it. They’re little computers that communicate, sure, but they don’t actually integrate into daily life well. The iPhone does, and I’m hoping Android gives it a good run to stop their bullshit.

But, like it or not, an important thing about modern society is the ability to trade money for goods and services. PayPal’s iPhone app is a joke. For some reason, it didn’t occur to them that people might want to use it to get paid for things.

When I heard about Square, probably a year ago, I jumped. This is just that thing! This means that you can pay for things in ways aside from cash when you’re in person. It’s not embedded in a particular object (I suspect that will come when computation and sensors are cheap enough that you can actually embed it in the cards themselves), but it fulfills that function.

Square found itself in a patent fight with its own hardware designer for months, which is sad. They look to have done some excellent information and object design, and I was worried that their creation would never reach the market. But now it has.

Now, my friends consider it ironic that I was so excited about the prospect of such gadgets all my life, but don’t own an iPhone or iPad. The great irony is that I don’t have the money right now. But expect to see me taking credit cards at my next selling-con.

Look Out Everybody! Here Comes the Future!

Fast Company has just posted the kind of panic article I ain’t seen since, oh, Jack Dempsey’s article, “I Can Whip Any Mechanical Robot“. It refers to Aldous Huxley’s Brave New World, even. And the company that they’re freeeeakin’ out about? Frog Design. The guys who designed the Macintosh. (And the Frollerskate.)

The article also misses some important technical aspects: the dating thing is just like current online dating, only you’re actually there with the person. The fast food example doesn’t need to tell anyone but you the information — the only public information is the nutritional value of the food. That’s an input-only situation. And the jacket-oggling situation both works against the market failure of capitalism by giving more perfect information to the consumer and keeps the wearer unperturbed. And all the computer’s doing is recognizing where the consumer can get the jacket, not where the wearer got it, or how much she paid, or what color underwear she’s got on under it.

The article closes by somehow relating this AR, data-rich environment to HAL 9000. The issue with HAL, if you’ll recall, was not that the computer had too much information about everybody. It’s that he was in the service of insanely sui/genocidal plutocratic idealogues. To be sure, there are privacy concerns. But my biggest privacy concerns are about those with power who don’t share. Not the people around us who do.

If you want to see Frog’s original post without the freakouts, it’s over here.

Also, it just occurred to me: this is how Academics see the world(s). Whuffies and all.

The Truth About Secret Societies

This is one of my favorite periods of animation. I’ve been known to do a rubber-limbed, eye-rolling 1930’s cartoon character dance while making clarinet sounds in my living room.

In fact, it may be what I’m best known for.

After you watch, note:

  • Mickey Mouse makes a cameo, and seems to be in on the conspiracy.
  • Betty Boop is still an anthropomorphic poodle, not a human.